"It’s very soft, but it’s kind of ballsy in how it just is like 'Yup, I’m fucking soft, and I’m singing soft songs about how I would do anything to keep you' or 'Go ahead and do whatever you want, and I’ll be here forever.'" ![]() "The musicianship is fantastic the singing is beautiful," Mann said of the former in a recent Salon interview. These acts have been cropping up as major sonic inspirations in 2017.Īimee Mann's latest album, "Mental Illness," takes cues from soft rock icons Bread and Dan Fogelberg. Interestingly enough, the aura of cult cool around power-pop legends Big Star and newly minted Rock & Roll Hall of Fame inductees ELO has started to rub off on an unexpected niche: '70s soft rock artists. And then there are the dozens of artists ripping off '70s looks - signifiers such as wild 'n' wooly facial hair, rakish suits and loud-patterned shirts. The latter act has been drawing special attention for its nods to ELO, Big Star, Todd Rundgren and Harry Nilsson. Father John Misty's lyric-focused album "Pure Comedy" has the sparse, piano-heavy tilt of Elton John records such as 1975's "Captain Fantastic and the Brown Dirt Cowboy." Indie rockers such as Foxygen, Mac DeMarco and the Lemon Twigs also are heavily indebted to the more kaleidoscopic end of '70s rock. Styles' retro-rock looting isn't an isolated incident, however. "Sign of the Times"- the majestic first single from his self-titled debut solo album, due out May 12 - has been favorably compared to both Mott the Hoople and David Bowie, while "Sweet Creature" has been accused of resembling the Beatles' 1968 song "Blackbird." ![]() However, Badfinger wasn't the only classic group Styles has been linked to in recent weeks. It remains to be seen whether the kerfuffle will linger after all, "Ever Since New York" also echoes the acoustic-driven epics favored by U.K.
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